Athletics’ modular, cross-cultural identity for GOCA is about putting artists in the spotlight
Nestled in New York’s Chelsea district, GOCA (Gallery of Contemporary Art) is the first of its kind, showcasing the oeuvres of both emerging and established artists from Japan and across Asia, with works spanning mediums such as painting, ceramics and sculpture. The initiative, launched by GARDE, a creative branding and interior design firm from Japan, aims to enhance the global recognition of some of the most captivating artistic voices from Japan and Asia. “The gallery’s mission is to offer a space that bridges cultural divides, introducing U.S. audiences to fresh voices in contemporary Asian art,” Senior Designer Sebastian Páez Delvasto explains. “GOCA aims to balance the gravitas of New York’s elite art world with the human warmth of its featured artists.” Assigned with the brief to create GOCA’s identity, New York City-based brand innovation studio Athletics delved into this idea of duality, developing a look that is both “approachable and sophisticated,” one that will resonate with New York’s established art scene while reflecting the contemporary nature of the works displayed. With a stark, typographic direction familiar to gallery spaces, Kobe serves as the brand’s primary typeface, working alongside GT Alpina for hero headlines and ES Klarheit as the main typeface for body copy (“distinctive harsh cuts in the inktraps render it both unique and highly readable for extended texts”). “This typeface combo can support the gallery’s diverse needs,” explains Páez Delvasto, “from exhibition posters to web content, creating a cohesive typographic system that’s both functional and expressive.” The wordmark’s letterforms, set in Kobe, are all lowercase to create a more open and accessible feel, with letterforms inspired by the Japanese katakana script. “As a writing system often used in Japan to introduce foreign words,” he continues, “katakana embodies the idea of cross-cultural dialogue – perfectly aligned with GOCA’s mission of bringing Asian art into a Western context.”
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